The album’s eight tracks together build on the deep grooves of her previous EP Three Years, showing off Sandra’s sultry, soulful vocals. But what really shines through, on standout tracks such as “Almost Love,” “Losing You” and “East Side Woman,” is Sandra’s ability to lyrically examine relationships from all angles—from the thrill of discovery to the fallout of poor decisions. These are songs rooted in hard-earned experience, a badge of honour Sandra wears with pride.
“I thought I had to give up music, but when I reached sobriety I got this offer to work in this beautiful country full-time doing music and that’s where I did a lot of my healing,” says Sandra of her three years in Morocco, starting in 2015. “It was a gift, and then to be able to come back to Toronto and work on these songs and recordings, that was a gift too.”
In her youth, Sandra spent five months every other year in Spain, where her father was from and her mother would homeschool her children up in the mountains. As for music, she says, “Mom was
the foundation of my musical education. She was always singing and playing guitar and encouraging us to sing. She had a great record collection and constantly had the radio on, drilling
us about who was playing and was always taking us to concerts and musicals.”
While they didn’t have a piano, Sandra leaned how to play using a hand drawn keyboard on a piece of paper, and by the time she was given a Casio keyboard at age 10, she was ready. She and her sister regularly performed for family and neighbours, and at age 11 were offered $100 to play three songs at La Contessa Ballroom in Toronto. She wrote her first original song in grade 6.
At 19, while at school in Hamilton, Ontario, Sandra played coffee shops and continued performing when she relocated to Guelph. But she hadn’t yet decided to pursue music as a career; in fact, she next went to St. Andrews University in Scotland to get her Masters in Museum Studies. Not surprisingly, her second week there she met a guy on the beach playing guitar, and they started playing in a 10-piece soul-funk band. She also played solo in the town of Dundee. “I was still pursuing museum work, but more of my heart was in music,” she says.
There are interesting parallels in songwriting. “There are so many stories of everyday people in all of these old artifacts. There’s a story in everything, and how you interpret that story is unique. How an artist interprets their story can connect to thousands of people who live totally different lives and in artifacts same thing — people thousands of years later can still feel connected to that person as a human.”
Sandra next ended up in Vancouver. No real reason except “Toronto was cold,” she laughs. While there, she made her first EP, Kingdom on the Run, in 2010, but it wasn’t a good experience. “When I recorded that, I was in addiction years. The producer pigeonholed me into a Canadiana folk artist, which is not what I wanted, but I was too young and inexperienced, and I couldn’t speak up for myself.”
She then returned to Toronto, where she fronted an original funky-rock band Redbrick in 2012 and gigged tirelessly for a few years. But in 2015, just one month into sobriety, Sandra got a referral to go to Morocco to play music. It was supposed to be for six weeks, but it became three years, playing rock, blues, and top 40, as well as her favourite jazz and pop duo gigs with Brooklyn, NY transplant Kevin Cummings, “my musical brain twin.”
But as much as she loved playing other people’s songs, Sandra felt she was hiding behind that. She had been a prolific songwriter since her teens. “I’m proud of my songs. They speak to my story,” she says. So she returned to Toronto, fully expecting to go back to Morocco in November, but longing to give her solo work another go. Looking for a producer, she learned of Hill who lit a fire under her.
Unlike her first experience in the studio, Hill made her feel comfortable and helped her figure out her sound. “I really wanted sparse. I like space and letting emotion fill it. I kept saying that. I wanted everything to be heard, including me, Sandra says. Three Years — a nod and to her
sobriety — are three songs that crystallize her journey and can help open up others to healing and confidence or simply draw you into her truth and struggles. “I was so full of fear that people wouldn’t like me or what I had to say or wouldn’t like my songs, and to be able to get to that point where I didn’t have that fear anymore, I just wanted to do it,”
Sandra says. “I had this spiritual and mental clarity, which meant I attract different people. I attracted Hill and she’d been so amazing. Her encouragement and her support and honour to these songs, I think that’s all a gift of sobriety.”
Sandra’s travels — at least for the moment - have ended. She’s home in Toronto playing regularly. And the fact that she was the winner of the 2019 Toronto Blues Society Talent Search confirmed her conviction to stay with a music career. In January of 2020 she was asked to represent Toronto at the International Blues Challenge in Memphis, Tennessee where she and her band made it into the semi-finals out of 240 international artists.
The new album; Falling Away From Me, will be available on all platforms on February 14th 2020.
There’s no holding her now…